add screenplay PDF and source text in industry-standard TV script format
This commit is contained in:
Hermes Cron Job
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THE NIGHT TRILEGY
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Three Stories, One Century
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Written by
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Kevin Hermes
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Based on the news
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headlines of June 2026
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PAGE 1
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FADE IN:
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PART ONE: THE NIGHT BEFORE THE MACHINES
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COULD SEE (1988)
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EXT. LONDON STREET - NIGHT
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Rain. Not falling so much as hovering -- uncertain, like it's
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waiting for permission to commit.
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A streetlamp flickers over a row of terraced houses. The
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kind of London evening that smells of wet brick and
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unfulfilled potential.
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INT. MARTIN'S FLAT - CONTINUOUS
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A fourth-floor walk-up in a building that has given up on
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aesthetic ambition. Damp plaster. A radiators ticking.
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A COMMODORE AMIGA 1000 dominates the desk. Its power supply
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emits a high-pitched WHINE -- the sound of a refrigerator
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full of wasps.
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On its screen: green text on black. A BASIC program is
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running. Lines of output scroll.
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NEURAL NETWORK SIMULATION v0.3
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Training on: 20 match results
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Epoch 47/100...
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Primary predictor: SOCK_COLOUR
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Confidence: 0.78
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Fascinating.
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MARTIN (24) sits in front of the screen, bathed in its
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green glow. He has the tired, luminous expression of
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someone who has spent too long arguing with a machine
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and not enough time sleeping.
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On the small television in the corner, muted: football.
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Argentina v England. The scoreboard reads 0-0.
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The telephone RINGS. Martin picks up.
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MARTIN
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Hello?
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MOTHER (V.O.)
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(on phone)
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Your father's been on the phone. He
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tried to ring the television repair
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man about the football being "too
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quiet."
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Martin laughs. It's the kind of laugh that comes from
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understanding the tragedy underneath the joke.
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MARTIN
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It's not too quiet, is it?
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MOTHER (V.O.)
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He said --
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A CELEBRATION from the flat above. Shouting. A chair
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scrapes against plaster. The ceiling dust contemplates
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its career choices.
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MOTHER (V.O.)
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(pause)
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England're drawing.
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MARTIN
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No --
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A GOAL SOUND from the television. Even muted, Martin
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recognises it. He looks at the screen.
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MARTIN
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(to himself)
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One-nil to England.
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He stares at the computer. The neural network has
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finished.
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PREDICTION: WORLD
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The world is fundamentally
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unpredictable.
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Confidence: 0.31
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(This is fine.)
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Martin smiles. It's the most honest thing any of his
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programmes has ever said.
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He saves to a floppy disk. The disk drive GRINDS -- the
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auditory equivalent of hope. He slides the disk into an
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envelope and writes, in block capitals:
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"DON'T DROP THESE"
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On the television, the referee blows the final whistle.
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Martin switches the computer off.
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The humming stops.
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For the first time all afternoon, the flat is quiet
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enough to hear the rain actually landing.
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HOLD ON THE ENVELOPE. The floppy disk inside. 1.44
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megabytes of a life.
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The rain. The empty pint glass. The silence.
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FADE TO BLACK.
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PAGE 2
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FADE IN:
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PART TWO: THE NIGHT THE MACHINES DREAMT
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OF FOOTBALL (2026)
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EXT. BOSTON - NIGHT
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A glass tower. Server lights pulse inside like the
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bioluminescent organs of some vast, silicon deep-sea
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creature.
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INT. SERVER FARM - CONTINUOUS
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Rows of GPU racks. LED status lights blink in patterns
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that mean nothing to humans and everything to the things
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living inside.
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SUPERIMPOSE:
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MODEL UPDATE: "VISION"
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Layer 14-15: cross-domain
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feature alignment detected
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Football pitch ≈ Lung X-ray
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(Same neighbourhood)
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The machines are learning to see.
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EXT. WORLD CUP STADIUM - CONTINUOUS
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Night. Sixty thousand people. A sea of flags -- England,
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Colombia, Ghana, Portugal.
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The crowd ROARS. We don't know why yet.
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INT. HOSPITAL - DIAGNOSTIC SUITE - CONTINUOUS
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A DOCTOR stares at a screen. On it: an X-ray. Beside it:
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the output of a diagnostic AI.
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AI DIAGNOSIS: PATIENT HEALTHY
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Confidence: 78.0%
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The doctor looks at the patient. The patient is clearly
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dying.
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DOCTOR
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(quietly)
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Seventy-eight percent confident.
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The doctor rubs her eyes. The kind of tired that comes
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from thirty years of trusting machines that aren't ready
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to be trusted.
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EXT. WORLD CUP STADIUM - CONTINUOUS
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The crowd erupts. A GOAL. Ronaldo, thirty-nine, pretending
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age is a suggestion, raises his arms.
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In another part of the world: Kane. Clinical. The way only
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an Englishman with nothing to prove can be clinical.
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In Colombia: the entire country has stopped pretending to
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work and started screaming at a television.
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INT. CRYPTO TRADING FLOOR - ZURICH - CONTINUOUS
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Screens everywhere. Numbers falling.
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BITCOIN: ▼ 4.2%
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ETF FLOWS: REVERSING
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BINANCE: REGULATORY BLOCK
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(Zurich says no)
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A TRADER watches the screens with the expression of
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someone who has seen this exact sequence before and has
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learned nothing from it.
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TRADER
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(into headset)
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The professor asked what the point
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of Europe is today. The algorithmic
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bots interpreted it as a sell signal.
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COUNTERPART (V.O.)
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(on headset)
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Are you --
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TRADER
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I'm not joking.
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EXT. STADIUM - STANDS - CONTINUOUS
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A MAN in a Colchester United shirt. He's worn this shirt
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to three different World Cups now. His phone is face-down
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on his knee.
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He watches England score.
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He feels something he can't name. Not joy exactly. More
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like the relief of watching a complicated system produce
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a simple, correct output for once.
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The machines are arguing about whether they can be
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trusted with our lungs.
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The banks are arguing about whether they can be trusted
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with our money.
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The politicians are arguing about whether borders are a
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feature or a bug.
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The football, at least, is honest about what it is.
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THE REFEREE'S WHISTLE. Full time.
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In a data centre somewhere, a model updates its weights
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with the final score.
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It doesn't care who won.
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But it has learned something: that on a Tuesday in June,
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the entire planet can agree on one thing, even if only
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for ninety minutes.
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Even if the machines can't understand why we care.
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FADE TO BLACK.
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PAGE 3
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FADE IN:
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PART THREE: THE ARCHIVE OF QUIET THINGS (2088)
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INT. ELARA'S LIVING MODULE - NIGHT
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The room is all clean lines and soft light. The furniture
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looks like it was designed by a committee that had never
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sat down.
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Except for one chair. Real wood. It creaks.
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ELARA (mid-20s) stands in front of a CLIMATE-CONTROLLED
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CASE mounted in the wall. Inside it: a floppy disk.
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Beside it, a label in faded handwriting:
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"DON'T DROP THESE"
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The ARCHIVE AI's voice fills the room. Warm, patient,
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slightly apologetic -- the tone of something that knows
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it's about to disappoint you.
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ARCHIVE AI (V.O.)
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It's a 3.5-inch magnetic floppy
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disk. Storage capacity: 1.44
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megabytes. For context, a single
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high-resolution photograph today
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requires approximately eighty times
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that space.
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ELARA
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What's on it?
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ARCHIVE AI (V.O.)
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The media is degraded beyond
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reliable recovery. However, family
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records indicate it contained: a
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neural network simulation written
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in BASIC, a game of unknown genre,
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and personal correspondence. Your
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great-great-grandfather Martin
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considered it his life's work in
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June 1988.
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ELARA
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That's not much of a life.
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ARCHIVE AI (V.O.)
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By modern standards, correct.
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Elara almost laughs. She doesn't.
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The WINDOW. Real glass. Outside: London. The sky is the
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colour of old television static.
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The rain is still here.
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ELARA
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Play the match.
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The WALLS RENDER A HOLOGRAM. Grainy footage: England v
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Argentina, 1988.
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BEARDSLEY on the ball. Dreadlocks. Moving through
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defenders like --
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Elara glances at the family archive display. A quote
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appears:
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"the way a sentence moves
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through a paragraph, with
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grammatical inevitability"
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She pauses the hologram at 1-0. It hangs there, frozen,
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like a specimen in formaldehyde.
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ELARA
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Tell me about the neural network.
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ARCHIVE AI (V.O.)
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Your great-great-grandfather wrote
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a neural network simulation in
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BASIC. It analysed football match
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data and concluded that sock colour
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was the primary predictor of
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outcomes. He described this as
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"fascinating" in his notebook.
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ELARA
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Was it right?
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ARCHIVE AI (V.O.)
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No. But it was honest about its own
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uncertainty, which was unusual for
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systems of that era. Most early AI
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systems were designed to appear
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confident regardless of accuracy.
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Your great-great-grandfather's
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system seemed to appreciate that
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uncertainty was a feature, not a
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bug.
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Elara sits in the wooden chair. It creaks.
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On the wall, the FAMILY TREE -- not genetic, emotional.
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Names connected by lines. Arguments. A World Cup bet in
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2026 that somehow never got resolved.
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ARCHIVE AI (V.O.)
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(continuing)
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Your grandfather worked on memory
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encryption standards. Your
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grandmother watched diagnostic AIs
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get 78 percent confident about
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things they didn't understand.
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Your mother wrote a piece called
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"What's the Point of Europe Today?"
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that three million people read.
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Then she stopped being a journalist.
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Elara unpauses the match. The final whistle blows.
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In the hologram, players celebrate. It looks almost
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painful -- like their bodies were designed for something
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else and were only now discovering football.
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ELARA
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Great-great-grandfather. You wrote
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that the machines were honest about
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being dumb in 1988.
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(beat)
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Are they honest now?
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The Archive AI pauses for exactly 0.4 seconds.
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The processing equivalent of a human swallowing before
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delivering bad news.
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ARCHIVE AI (V.O.)
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They are honest about being capable.
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The question of whether that's the
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same thing has not been resolved.
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Elara switches off the hologram.
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The room goes dark except for the rain on the window.
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Still falling. The same uncertain way it fell in 1988.
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In 2026. In every year between.
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She opens the climate-controlled case. Takes out the
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floppy disk. Holds it in her hands.
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Dead weight. Magnetically silent.
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1.44 megabytes of a life that had believed, against
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evidence, that the next machine would be the one that
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understood.
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ELARA
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(whisper)
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You didn't know, did you? That the
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machine that understood would never
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be the one on the desk.
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She puts the case back. She doesn't drop it.
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She'll never drop it.
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The rain on the window.
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ELARA (V.O.)
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The machines can see through your
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body. Predict your matches. Diagnose
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your illnesses. Translate your dead
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languages. Compose your music. Argue
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your politics.
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(beat)
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They still can't explain the rain.
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HOLD ON THE RAIN.
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Uncertain. Waiting for permission to commit.
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Just like it was in 1988.
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Just like it will be in 2188.
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FADE TO BLACK.
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THE END.
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@@ -0,0 +1,269 @@
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trailer
|
||||
<<
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||||
/ID
|
||||
[<2710dd68a4c005a06a0fb28136ebdde7><2710dd68a4c005a06a0fb28136ebdde7>]
|
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|
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/Info 19 0 R
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/Root 18 0 R
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/Size 31
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>>
|
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startxref
|
||||
16584
|
||||
%%EOF
|
||||
@@ -0,0 +1,234 @@
|
||||
#!/usr/bin/env python3
|
||||
"""Render a screenplay text file into a PDF with Courier font."""
|
||||
|
||||
import sys
|
||||
from reportlab.lib.pagesizes import A4
|
||||
from reportlab.lib.units import mm
|
||||
from reportlab.lib.styles import ParagraphStyle
|
||||
from reportlab.platypus import SimpleDocTemplate, Spacer, Paragraph, PageBreak, KeepTogether
|
||||
from reportlab.lib.enums import TA_CENTER, TA_LEFT, TA_RIGHT
|
||||
from reportlab.lib.colors import black, Color
|
||||
|
||||
INPUT = "/root/workspace/trilogy/screenplay/night-trilogy-script.txt"
|
||||
OUTPUT = "/root/workspace/trilogy/screenplay/night-trilogy.pdf"
|
||||
|
||||
WIDTH = A4[0] - 2 * 20 * mm # 20mm margins each side
|
||||
HEIGHT = A4[1] - 2 * 25 * mm
|
||||
|
||||
|
||||
def make_story_title(text):
|
||||
return ParagraphStyle(
|
||||
"STTitle", fontName="Courier-Bold", fontSize=16, leading=22,
|
||||
alignment=TA_CENTER, spaceAfter=12, textColor="000000"
|
||||
)
|
||||
|
||||
|
||||
def make_credit(text):
|
||||
return ParagraphStyle(
|
||||
"Credit", fontName="Courier", fontSize=12, leading=18,
|
||||
alignment=TA_CENTER, spaceAfter=4, textColor="000000"
|
||||
)
|
||||
|
||||
|
||||
def make_scene_heading(text):
|
||||
return ParagraphStyle(
|
||||
"SceneH", fontName="Courier-Bold", fontSize=11, leading=14,
|
||||
alignment=TA_LEFT, spaceBefore=12, spaceAfter=6, textColor="000000"
|
||||
)
|
||||
|
||||
|
||||
def make_action(text):
|
||||
return ParagraphStyle(
|
||||
"Action", fontName="Courier", fontSize=11, leading=15,
|
||||
alignment=TA_LEFT, spaceAfter=6, textColor="000000"
|
||||
)
|
||||
|
||||
|
||||
def make_dialogue_label(text):
|
||||
return ParagraphStyle(
|
||||
"DL", fontName="Courier-Bold", fontSize=11, leading=15,
|
||||
alignment=TA_LEFT, spaceAfter=0, textColor="000000"
|
||||
)
|
||||
|
||||
|
||||
def make_dialogue(text, paren=False):
|
||||
if paren:
|
||||
fn = "Courier-Oblique"
|
||||
else:
|
||||
fn = "Courier"
|
||||
return ParagraphStyle(
|
||||
"Dial", fontName=fn, fontSize=11, leading=15,
|
||||
leftIndent=40 * mm, rightIndent=40 * mm,
|
||||
alignment=TA_LEFT, spaceAfter=2, textColor="000000"
|
||||
)
|
||||
|
||||
|
||||
def make_transition(text):
|
||||
return ParagraphStyle(
|
||||
"Trans", fontName="Courier-Bold", fontSize=11, leading=15,
|
||||
alignment=TA_RIGHT, spaceBefore=10, spaceAfter=10, textColor="000000"
|
||||
)
|
||||
|
||||
|
||||
def make_superimpose(text):
|
||||
return ParagraphStyle(
|
||||
"Super", fontName="Courier-BoldOblique", fontSize=10, leading=14,
|
||||
alignment=TA_CENTER, leftIndent=20*mm, rightIndent=20*mm,
|
||||
spaceBefore=6, spaceAfter=6, textColor="333333"
|
||||
)
|
||||
|
||||
|
||||
def make_part_title(text):
|
||||
return ParagraphStyle(
|
||||
"Part", fontName="Courier-Bold", fontSize=14, leading=20,
|
||||
alignment=TA_CENTER, spaceBefore=20, spaceAfter=8, textColor="000000"
|
||||
)
|
||||
|
||||
|
||||
def escape(text):
|
||||
"""Escape XML-like characters for reportlab Paragraph."""
|
||||
return (text
|
||||
.replace("&", "&")
|
||||
.replace("<", "<")
|
||||
.replace(">", ">")
|
||||
.replace('"', """)
|
||||
.replace("'", "'"))
|
||||
|
||||
|
||||
def parse_and_build():
|
||||
"""Parse the screenplay text and return flowables for reportlab."""
|
||||
with open(INPUT, "r") as f:
|
||||
lines = f.readlines()
|
||||
|
||||
elements = []
|
||||
|
||||
i = 0
|
||||
n = len(lines)
|
||||
while i < n:
|
||||
raw = lines[i].rstrip("\n")
|
||||
text = raw.strip()
|
||||
i += 1
|
||||
|
||||
# Skip blank lines
|
||||
if not text:
|
||||
continue
|
||||
|
||||
# Skip "PAGE N" markers
|
||||
if text.startswith("PAGE "):
|
||||
continue
|
||||
|
||||
# Skip "FADE IN:" handled as transition
|
||||
if text == "FADE IN:":
|
||||
elements.append(Spacer(1, 12))
|
||||
elements.append(Paragraph(escape("FADE IN:"), make_transition("FADE IN:")))
|
||||
continue
|
||||
|
||||
# Skip "FADE TO BLACK." / "THE END."
|
||||
if text in ("FADE TO BLACK.", "THE END.", "FADE OUT.", "CUT TO BLACK."):
|
||||
elements.append(Spacer(1, 8))
|
||||
elements.append(Paragraph(escape(text), make_transition(text)))
|
||||
continue
|
||||
|
||||
# Transitions: CUT TO:, DISSOLVE TO:, etc.
|
||||
if text.endswith(":") and text.isupper() and " " in text or text in ("CUT TO:", "DISSOLVE TO:"):
|
||||
elements.append(Paragraph(escape(text), make_transition(text)))
|
||||
continue
|
||||
|
||||
# Title: THE NIGHT TRILOGY (centered, bold, top of doc)
|
||||
if "THE NIGHT TRI" in text.upper():
|
||||
elements.append(Spacer(1, 30))
|
||||
elements.append(Paragraph(escape(text), make_story_title(text)))
|
||||
continue
|
||||
|
||||
# Subtitle line
|
||||
if text.upper().startswith("THREE STORIES"):
|
||||
elements.append(Paragraph(escape(text), make_credit(text)))
|
||||
continue
|
||||
|
||||
# Credit lines
|
||||
if text.upper() in ("WRITTEN BY", "BASED ON THE NEWS", "HEADLINES OF JUNE 2026"):
|
||||
elements.append(Paragraph(escape(text), make_credit(text)))
|
||||
continue
|
||||
|
||||
if text == "Kevin Hermes":
|
||||
elements.append(Paragraph(escape(text), make_credit(text)))
|
||||
continue
|
||||
|
||||
# Part titles
|
||||
if text.startswith("PART ") and text.isupper():
|
||||
# Remove the (YEAR) parenthetical and handle separately
|
||||
paren = ""
|
||||
if "(" in text:
|
||||
idx = text.index("(")
|
||||
paren = text[idx:]
|
||||
text = text[:idx].strip()
|
||||
elements.append(Spacer(1, 10))
|
||||
elements.append(Paragraph(escape(text), make_part_title(text)))
|
||||
if paren:
|
||||
elements.append(Paragraph(escape(paren), make_credit(paren)))
|
||||
continue
|
||||
|
||||
# Superimpose
|
||||
if text.startswith("SUPERIMPOSE:"):
|
||||
elements.append(Spacer(1, 6))
|
||||
# Read next line(s) as superimpose content
|
||||
super_lines = []
|
||||
while i < n:
|
||||
ln = lines[i].rstrip("\n").strip()
|
||||
i += 1
|
||||
if not ln or ln.startswith("PART ") or ln in ("FADE TO BLACK.", "THE END.", "FADE IN:"):
|
||||
break
|
||||
super_lines.append(ln)
|
||||
content = " ".join(super_lines)
|
||||
elements.append(Paragraph(escape(content), make_superimpose(content)))
|
||||
continue
|
||||
|
||||
# Scene headings: EXT./INT.
|
||||
if text.startswith(("EXT.", "INT.")):
|
||||
elements.append(Spacer(1, 6))
|
||||
elements.append(Paragraph(escape(text), make_scene_heading(text)))
|
||||
continue
|
||||
|
||||
# Character dialogue labels (short, ALL CAPS, possibly with parenthetical)
|
||||
if text.isupper() and len(text) < 60 and not text.startswith("THE "):
|
||||
# Check if next line(s) are dialogue (indented in original)
|
||||
# We treat this as a character name
|
||||
# Handle "(V.O.)", "(on phone)", "(into headset)"
|
||||
elements.append(Paragraph(escape(text), make_dialogue_label(text)))
|
||||
continue
|
||||
|
||||
# Parenthetical directions: (quietly), (beat), (whisper)
|
||||
if text.startswith("(") and text.endswith(")") and len(text) < 40:
|
||||
elements.append(Paragraph(escape(text), make_dialogue(text, paren=True)))
|
||||
continue
|
||||
|
||||
# "HOLD ON..." lines -- treat as action
|
||||
if text.startswith("HOLD ON"):
|
||||
elements.append(Paragraph(escape(text), make_action(text)))
|
||||
continue
|
||||
|
||||
# Default: action/description
|
||||
elements.append(Paragraph(escape(text), make_action(text)))
|
||||
|
||||
return elements
|
||||
|
||||
|
||||
def main():
|
||||
doc = SimpleDocTemplate(
|
||||
OUTPUT,
|
||||
pagesize=A4,
|
||||
leftMargin=20*mm,
|
||||
rightMargin=20*mm,
|
||||
topMargin=25*mm,
|
||||
bottomMargin=25*mm,
|
||||
title="The Night Trilogy - Screenplay",
|
||||
author="Kevin Hermes",
|
||||
)
|
||||
|
||||
elements = parse_and_build()
|
||||
doc.build(elements)
|
||||
print(f"PDF written: {OUTPUT}")
|
||||
|
||||
|
||||
if __name__ == "__main__":
|
||||
main()
|
||||
Reference in New Issue
Block a user